The line of photographers started at the parking lot, setting up tripods in the thick, green grass at the edge. More occupied the median, and still more crowded the interior, blocking the delicate, cantilevered bridge so that few could pass. And yet, it was not a disappointment. The traffic still flowed. A few cars on the underutilized roadway in front. A mass around the information desk, drawn there despite there being no need for flight information. Steady streams up the shallow steps. And then, dispersion. Up the stairs to the Lisbon Lounge and the Paris Cafe, stripped to their chrome light fixtures and glazed tiles. Down the stairs to the red ilets of seating, facing another iris of information. Behind the iris: an expanse of gray gravel, and the dull curve of the JetBlue terminal. Where once there was a view of flight, now there is just a wall, and not even one activated, as the lifted wings are here, by the movement of people. Beyond the lounge, two tubes with violent red carpet and a wash of white light. No one seemed to be able to decide on the proper pace. Kids ran. Adults strolled. More photographers blocked the opening. And again a disappointing end. An elevator. A staircase. No planes in sight.
On Twitter
Follow @LangeAlexandraOn Instagram
Featured articles
CityLab
New York Times
New Angle: Voice
Getting Curious with Jonathan Van Ness