Alexandra Lange is the architecture critic for Curbed. Her essays, reviews, and profiles have appeared in numerous design publications including Architect, Domus, Dwell, and Metropolis, as well as in New York Magazine, the New Yorker, and the New York Times. She has been a featured writer at Design Observer and an Opinion columnist at Dezeen. She has taught design criticism at the School of Visual Arts and New York University. She was a 2014 Loeb Fellow at the Harvard Graduate School of Design.
Her latest book, The Design of Childhood: How the Material World Shapes Independent Kids was published by Bloomsbury USA in June 2018. Research for the book was supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts. She is also the author of Writing About Architecture: Mastering the Language of Buildings and Cities (Princeton Architectural Press, 2012), a primer on how to read and write architecture criticism, as well as the e-book The Dot-Com City: Silicon Valley Urbanism (Strelka Press, 2012), which considers the message of the physical spaces of Facebook, Google, and Apple.
She has long been interested in the creation of modern domestic life, a theme running through Design Research: The Store that Brought Modern Living to American Homes (Chronicle Books, 2010), which she co-authored with Jane Thompson, as well as her contributions to Alexander Girard: A Designer’s Universe (Vitra, 2016), Formica Forever (Metropolis Books, 2013) and Eero Saarinen: Shaping the Future (Yale University Press, 2006). She contributed a chapter titled “Toys As Furniture, Furniture As Toys” to the recent catalog Serious Play: Design in Midcentury America (Yale University Press, 2018), accompanies an exhibition at the Milwaukee and Denver Art Museums in 2018-2019. Forthcoming projects include research on Scandinavian design for children and the architecture of the Midwest.
Lange has lectured widely at universities, museums and design conferences, on topics ranging from the history of women architecture critics to the opulent modernism of Alexander Girard to the proper use of social media by architects. Her 2005 dissertation, “Tower Typewriter and Trademark: Architects, Designers and the Corporate Utopia, 1956-1964,” discussed the design programs and design networks at postwar American corporations.