The exuberant career of the Brazilian designer Roberto Burle Marx brings the oft-overlooked field of landscape architecture to the foreground
The polymathic Brazilian landscape architect Roberto Burle Marx is having a moment.
Following shows at the Jewish Museum in 2016 and the Chicago Botanic Garden in 2017, “Brazilian Modern: The Living Art of Roberto Burle Marx”—the largest exhibition ever put on at the New York Botanical Garden, and the first to display an entire outdoor garden—opened June 8. The NYBG, which is located in the Bronx, is easily accessible via the Botanical Garden station on the Metro-North’s Harlem line, or a short walk from several subways. In December, its Enid A. Haupt Conservatory, a grand Victorian structure, hosts an annual train show with New York City landmarks rendered in bark. This summer, it has traveled south rather than to the North Pole.
“Brazilian Modern” completely takes over a stretch of lawn in front of the wedding cake-like conservatory, replacing that high-maintenance surface with a little slice of the tropics, 1950s style. Burle Marx died in 1994, so Miami-based landscape architect Raymond Jungles was called in to create a Burle Marx remix, combining plants, patterns, and architectural fragments into a lush and dramatic pastiche.